Artist in Residence
Since the inception of our artist residency program in 2015, we have worked with 15 Philadelphia-based artists to create works that expand the interpretation of the historic Glen Foerd estate. Works from past residents have challenged dominant historical narratives by focusing on issues of wealth inequality, race, industrialization, and environmental conservation, among other contemporary social concerns. We prioritize work that is experimental in nature, engages new and diverse audiences, and will allow the artist an opportunity to advance their practice.
Our annual application is currently closed. Generous support from the National Endowment for the Arts has expanded our residency to accept three artists, and provide a stipend of $4,000 to each artist for labor and materials. Learn more and start your application by visiting our applicants page.
The 2025 Artists in Residence
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Lauren Putty White holds an M.F.A. from Montclair State University and a B.F.A. from University of the Arts. She has toured with Parsons Dance Company, PHILADANCO!, and performed with numerous independent projects such as Waheed Works and DB Dance Project. Her choreography credits include BalletX, Grace Dance Theatre, Bryn Mawr College, Drexel University, and others. White has taught at University of the Arts, Temple University, and the School District of Philadelphia. She co-directs Putty Dance Project with her jazz musician husband, Brent White, creating acclaimed jazz/improvisational works presented at venues such as the Kimmel Center and Stockton University. As a soloist with the Sun Ra Arkestra, she has performed at Carnegie Hall, SummerStage, the Big Ears Festival, International Jazz Festival in Montreal and San Francisco Jazz. White guest taught at Cornell University and collaborated with Melanie George at the National Center for Choreography in Akron. She leads workshops in Free Form Body Motifs, her improvisation method, and is currently a Teaching Specialist in Dance at Stockton University. She is the 2025 Performing Artist in Residence at Glen Foerd in Philadelphia.
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Erik Ruin is a Michigan-raised, Philadelphia-based printmaker, shadow puppeteer, paper-cut artist, etc., who has been lauded by the New York Times for his "spell-binding cut-paper animations." His work oscillates between the poles of apocalyptic anxieties and utopian yearnings, with an emphasis on empathy, transcendence and obsessive detail. He frequently works collaboratively with musicians, theater performers, other artists and activist campaigns. He is a founding member of the international Justseeds Artists' Cooperative, and co-author of the book Paths Toward Utopia: Graphic Explorations of Everyday Anarchism (w/ Cindy Milstein, PM Press, 2012). Current projects include the Ominous Cloud Ensemble, an ever-evolving, collectively-improvising large ensemble for projections and sic.
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Cory Kram is a multi-disciplinary, community teaching-artist living in Philadelphia who specializes in sculpture, painting, and fiber. She is greatly inspired by the ephemeral images and objects that lie on the everyday plane of modern existence and often incorporates found materials in her practice. Cory has previously exhibited at galleries including Vox Populi, Philadelphia, PA; Microscope Gallery, Brooklyn, NY; Le Petit Versailles, NYC; among others. Her work has also been shown overseas in Romania and Denmark. In Philadelphia, Cory actively contributes to the arts community through teaching workshops and curating art exhibits for non-profits such as The Kensington Storefront and Broad Street Ministry. Her involvement extends beyond traditional art spaces; she is deeply committed to community engagement, social justice and collaborative art. Twice a month, Cory facilitates the community art table at Prevention Point during Womxn's Night. She is also a board member at The Soapbox Community Print Shop and Zine Library. Currently, she works for Mural Arts as a studio teaching artist and site supervisor for their same-day-pay program, Color Me Back.
2024-2025 Selection Committee Members
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Megan Voeller (they/them) is an educator,
curator
and writer whose work focuses on critical intersections of contemporary art and health. Megan has been Director of Humanities at Thomas Jefferson University's health sciences campus in Center City, Philadelphia, since 2016. At Jefferson, they create and organize academic, co-curricular and public programs that infuse the arts and humanities into health professions education. Megan began their career as a curator at the University of South Florida Contemporary Art Museum, and as an arts journalist and critic. Currently a PhD candidate in art history at Tyler School of Art & Architecture at Temple University, Megan is also Curator of Public Engagement for We Here, a project led by Mural Arts, artist Roberto Lugo and a Community Advisory Council in Kensington, Philadelphia, during 2024.
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Keir Johnston sees art as an integral component of public life. As a public artist and educator, Keir has produced over 30 large scale public murals working with people of all ages. He is a co-founder of Amber Art & Design, an artist collective that engages people in the process for creating public art and designing community spaces. The collective works to create experiences that allow for relationship and trust building, upending traditional frameworks of community input processes with the goal of creating a more radically just and equitable public spaces.
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Teresa Jaynes is an accomplished artist and arts administrator who has directed ambitious projects, including the international printmaking exhibition
Philagrafika
2010 and, more recently, the community-based public art project
Lenapehoking~Watershed
, which paired 19 environmental education centers with artists and cultural programs. As an independent consultant, Jaynes is currently the project manager for
KIYOSHI
, a documentary film about Kiyoshi Kuromiya—the Philadelphia-based Japanese American author, civil rights, anti-war, gay liberation, and HIV/AIDS activist. As an artist, she creates interdisciplinary installations and artist books based on historical research. "Common Touch: The Art of the Senses in the History of the Blind" is a multi-sensory exhibition based on extensive research at the Library Company of Philadelphia on education for the visually impaired in the 19th century.